Apart from the linguistic structure based on narration in the drama, the use of the arts is also accessible. The dramatist can adopt all mediums of expression, such as narrative language, dance, art, choreography, instrumental music, architecture, etc., in the expression of drama. By making proper use of all these mediums of art, he tries to make theatrical performance (acting) interesting, colourful, and meaningful. Due to the combination of these various arts, the performance of the drama becomes mesmerising to the audience. The beauty of the dramaturgy of narrative language in drama lies in inciting action, not merely describing events and situations. Theatrical dynamism is the core of the play. The language of drama is the language of action. Words or sentences used for drama or acting (NatyaTatrabhineyam, Sahitya Darpan, Acharya Veshwanath) are considered meaningful and artistic only. When they elicit or inspire physical, vocal, sattvic, or dietary action.That is why Kalidas has called the theatrical performance ChakshushYagya. While formulating the theatrical object, the playwright directs the states (conditions of life) of the hero or characters in a dynamic (dynamic) form by aiming for a proper combination of dialogue, scenery, visual decoration, lighting, sound effects, etc. Is. 1 In other genres of literature (such as novel, story, essay, sketch, travelogue, epic, short poem, play, etc.), the author or creator reveals the subject matter only through descriptive, pictorial, and musical language, but through acting in drama, the subject matter (plot) is shown to occur directly. In this sense, drama is different from other genres of literature. Mobility is a key element of drama. Through the dialogue and acting of the characters, the storey of the drama is progressively tailored in an intriguing form through the visuals, scenery, lighting, use of instrumental music, and sound effects, with the help of the theatre producer (Sutradhar), the director, and various theatre personnel. for making the communication of the sensation of the theatrical object more vivid, or Prabhvishnu. That is why the saying "Kavyeshu Natak Ramyam" is famous.

.