This research takes the object of the Kenyah Dayak tribe's Sampek in pampang village in Samarinda which until now is still alive and developing in the midst of the hustle and bustle of the city of Samarinda. This research is more focused on finding data on the origin of the existence of the Kenyah Dayak tribe, the beliefs of the Kenyah Dayak tribe, the origin of the existence of Sampek music, the relationship between sampek music and the life of the Kenyah Dayak community in Pampang village, and how to play Sampek music. The research uses qualitative methods with descriptive analytical writing and uses an ethnomusicological approach. The results of the study revealed that the existence of Sampek music is closely related to the daily life of the Pampang Dalam people who until now still believe in the power of Bungan Malan as the ruler of the region. The creation of Sampek music is also inseparable from the existence of Lawe folklore which is represented in musical elements in sampek games

sampek music; representation; dayak kenyah; pampang village; ethnomusicological.